MAV arts are the creative outcomes of MAV Projects featuring artists and communities of colour.
Zakir Hussain
The musical part of Zakir’s work is an instrumental rendition of the traditional Afghan folk song Sar Zameen e Man, which he performs on the rubab. The song’s original lyrics allude to the pain of losing your home country, becoming a refugee, and witnessing the destruction of one’s beloved homeland. It voices helplessness and sadness of these things happening beyond their control. Zakir was moved to create this work when he saw current footage of the destruction of musical instruments and dismantling of women’s right to education and basic freedoms by the Taliban in Afghanistan. He wanted to show what is happening in his home country in his own way by combining his love for music and interest in digital art.
Noor Alsakir
This hand-drawn animation uses two photos of Noor and her sister to show how she finds inner strength through her Islamic beliefs to counteract the societal pressures of living as a young Muslim woman in western culture. Through prayer and remembering God, Noor finds peace, calm and acceptance of the harsh words and aggressive attitudes people of colour often face, even in the towns and countries, they are born.
Shanikwa
Shanikwa has contributed to the Duniya Behter project by creating a song called “Window Seat” about her experience during COVID. She says, “It’s about a time I had to spend in isolation and shows how I felt but, I also know that’s how many people have felt and for some people it’s their everyday life”. Her voice gently dances with beautiful harmonies over an acoustic guitar and percussion based song in this stunning debut.
Jonathan Safari AKA Yungkily
Have you ever felt stuck in your own world? A place where you feel alone and no matter how much you try to voice it out no one seems to hear you? It's like you're stuck in a room full of people but still feel alone. Then you feel like giving up. Well, I've been there, and you're not alone. I'm with you. I'm not afraid of being myself. I'm not afraid of singing out loud. I'm not afraid of dancing on the streets. I'm not afraid of telling the truth. And my voice, "You'll hear me."
KibbZ (Jai Atkinson)
"I'm excited to share my song "Trapped" with everyone as it shares some of my more personal thoughts and how I have felt these last few years during covid. As well as how I would like to see the next few years look for me and my community."
Melissa Moo
"My work is a reflection of my experience and how my family helped me push through my final year of studies despite setbacks from Covid-19. I've always liked comics and digital drawing art styles, hence I've decided to attempt these styles for my project. However, since I wanted to make it more engaging for the audience, I've decided to make the drawing into a mini motion video to explore my personal experience."
Kazadi Kadima
"The last two years have been really hard for all of us. What has been hardest for me though, was my little brother getting really sick at the beginning of the pandemic and having to go and live in Melbourne for a year while he got treatment. Worrying about my brother, being separated from him and my Mum, having to change schools, missing old friends and home. Often I’ve felt like I couldn’t talk about my struggles because what my brother has gone through, seems so much worse."
Mercan Kasikci
Mercan’s digital drawing tells the story of her relationship with her mother, which has been affected by generational trauma and the friction many children of immigrants are familiar with growing up in a culture vastly different from what their parents know. She hopes people realise that in her experience, parents love their kids no matter what even if they may not know how to show it very well.
Lah Eh Soe
"My song, My Love, is about making promises to a loved one and them being the only one you love forever. I wrote it with my friend, Pwayz and we had fun making this song. I'm very happy to share this with MAV and everyone."
Jay Pops
This work is based on a spoken word piece by Jay about his own experiences with depression and loneliness. By sharing his story of vulnerability with such courage, Jay hopes to let others going through similar things know that they are not alone.
Nargis Alsakir
Nargis has created a poetic video work about the loneliness of the pandemic. It is a way of reaching out to others who she knows must be out there, who went through similar things. This work is a vessel for communicating vulnerable, lived experiences that she hopes more people can be brave enough to talk about and be listened to with compassion and understanding.
Po Tu Tu
"The project that I was doing is about Karen Traditional Weaving, about how we weave and how we traditionally make our clothes. It is very important for us because it is a heritage that we learned from our great grandparents and we want to keep alive by teaching our younger generation. I am hoping my video will be shared amongst wider communities so other people can learn of our tradition and how unique our style and process is."
Nadia and Yvette Niyubushobozi
Nadia and Yvette have developed a podcast series exploring issues around friendship and peer pressure, trying to guide people to create the change they’d like to see in the world by forming strong, enriching friendships. These podcasts feature the sisters in conversation, sharing their own incredible experiences with personal struggles and offering insight into different types of friendships. Their hope is for this work to help others choose the right people to keep in their lives, empowering them to make their own decisions and make themselves the priority. For Nadia and Yvette, a better world is a world in which people know how to be a good friend, supporting and helping others instead of leading them astray.
Aryo Hall, Shirin Shakhesi
Stemming from age old Javanese poetry, this heartfelt musical piece creates the backdrop to a Persian contemporary animation. The slow days of lockdown allowed us to reflect on our respective childhoods, reflections usually drowned out by the fast pace of the modern day.
BER
A FEMININE CONVERSATION is a space where I converse with diverse women and hear their stories with an open mind. It means so much to be part of Dunyia Behter, as connecting with my culture through this commission has opened so many doors for me. I am very excited to share this commission with the world, and for everyone to hear the stories of the women that I spoke with.
Aroha Pehi
Inspired by my experiences of lockdown, I’ve created movement on film that represents my own exploration of words that come in a form of a poem. The poem is about breath and how, through my own journey, I had taken it for granted and helped me to overcome isolation. “To breathe is a necessity, is a luxury.” Words that I wrote down during the first lockdown, which was at the same time as the 2020 fires and still are so relevant to this day.
Nesian Blue
Nesian Blue have contributed to the Duniya Behter Project to write a song called ‘Can We Talk’ about their experience through COVID lockdowns. “We wanted to express what mental health meant to us as Polynesians. We understand traditions and expectations which play a part in our mental health. During covid, our mental health was affected badly, but there was one thing that kept us thriving, and that was God. Through God we overcame our struggles and all we had to do was call out. All we had to do was talk to him, ask for his guidance and that's exactly what we got. He answered our prayers. This song gives us strength in whatever we do. It helps us remember that in tough times we can always turn to God.”
Tha Shee
"My video is based on the flower and the human it’s about the 'circle of life' and reflects everyone being born, getting old and dying, just like the flower. I am really excited to be part of Duniya Behter because I am learning so many things, like creative technical skills and connecting with other cultures, learning and get more ideas from other young people as well."
Eman Alabbassi
We have overcome many challenges to adapt to the Australian way of life and the way we eat here. In Iraq, we eat only breakfast and dinner but here we have adopted to the routine of three meals a day.
Ai Yamamoto
This compilation is a collection of work submitted by people who were part of the MESS Recovery Residencies program in 2021-2022, delivered in partnership with Multicultural Arts Victoria and Liquid Architecture. All tracks are self-produced by the artists. The program and this compilation were made possible with the support of the Victorian Government through Creative Victoria. MESS would also like to thank our supporting partners Australia Council for the Arts, Creative Victoria, City of Melbourne and the Meat Market Studio Program. LP artwork by Angie Penna-Li.
Janette Hoe, Ria Soemardjo, Mindy Meng Wang, Takashi Takiguchi
Agak-Agak is a playful reminisce on Ria, Mindy and my relationship with our grandmothers and the collective, fragmented details of our memories.
Karina Lehman
“We recorded 2 of my original’s compositions and performed in a trio format with two talented musicians, Amla Periakarpan in the flute and Rodolfo Despaigne “Panga” in the congas. “Vagabundeando”, a gentle bossa-nova that talks about finding your life purpose and the journey you need to take to find this purpose, and “Traigo un son” an optimistic song inspired by the rhythms and textures of Cuban music. I’m truly grateful to be part of this new season of UpClose, it’s not only a great opportunity to share my music and represent my culture and country but also to gain exposure and contribute to the multicultural arts scene in Melbourne. I had a great time shooting with Harmonic Whale and MAV team at the iconic Preston Market, they made me feel very comfortable, and enjoyed every minute.”
Camille El Feghali
“My performance includes a variety of folk and classical songs coming from different parts of the middle east (SWANA region). We showcase these diverse and rich cultures in a contemporary way, while staying faithful to the features that make it sound unique, through the use of microtones, odd time signatures, and Taqsims (improvisations). The instruments include: Qanun (Arabic harp), Nay (Arabic flute) and Derbuka/Riq (percussions). What I love about being part of UpClose is that I get to represent my musical heritage in a program that includes various musicians who perform different styles of music to be appreciated by everyone. The engagement with people in public places such as Preston markets was a highlight for me as I got to meet people from my own culture who showed their appreciation as well as people from different backgrounds who asked me lots of questions about it.”
Sarita Mcharg
“I really enjoyed being able to perform at the market and introducing my instrument and culture to so many different kinds of people. It was really nice seeing people of all walks of life and ages just coming up to me and listening, asking me all sorts of questions about my musical journey. Being a local resident of Preston, I am always going to the Preston market for my daily needs. I think the market is such a great place to catch up with friends, and just to see how diverse and rich the community in the area is. It is such a vital place for the community to come together.”
The New Monos
“For us, being a part of UpClose 2022 is an honour; sharing music with our local audience and coworkers is what we have missed the most last couple of years. In addition, this allows us to break the stereotypes about Latin people only playing Salsa. We have lived in Darebin for 10 years, and we are happy to see live music events, especially in the Preston Market. We felt so welcome in the Preston Market, a lot of people stopped to listen to the band and watch the performance, asking questions about where we are from and about the instruments. The songs we played were super relaxed, acoustic-style fitting the market creating a nice atmosphere for us to play comfortably and feel welcome.”
Agoness Kuol
My table is special to me because when I make food this is the time I get to sit down with my family.
Le’aisa Pele
Food means a great deal in our family and plays a very important part in our culture and community. In Samoa, no one eats alone. We do not cook small meals, we cook for everyone and we all eat together.
Shakilla Naveed
Since moving to Australia, the way we cook and eat has changed a lot. In Australia. I have tried very hard to involve my husband and my children in cooking meals but back in my country, the mother or wife only would cook.
Yusniza Yusoff
“I love to cook. I love sharing my food with my friends and neighbours, my community because I feel happy when people enjoy my food."
Ane Fotu
Fakamaloía he polokalama Shepparton Culture Kitchen, he ngaahi faingamalie kuo ne ómai kia te au mo hoku famili óu lava ai ke vahevahe hoku úlungaanga faka-fonua
Ree Peric
Ree is a young Fijian-Croatian woman who was exposed to a wide variety of different cultures from a young age through her mother’s missionary work in Brisbane. Ree also lived in Uganda for some time, where she learned to cook things like nsenene (grasshopper) and fufu with her grandparents.
Khalid Farah
FlatMates was collated as a response to the 9-tower lockdown of 2020 in North Melbourne and Flemington.
Khalid Farah
Art is an expression of one’s own life, it is a journey of self-discovery loaded with emotions. These images are the culmination of emotions I have encountered since the 9Tower Lockdown over a year ago.
Zelalem Negatu
The hard lockdown was a difficult and confusing time for me and triggered some bad memories and feelings from my past. I wrote this song on the second day of lockdown when I almost felt as if we wouldn’t get out alive!
Geskeva Komba, Ez Eldin Deng, Ras-Samuel Welda’abzgi
BLVCK GOLD is a short film and fictional story of amateur athlete, Tino, who uses running as a way to escape from old wounds but they come back and haunt him after a childhood friend gives him a mystery object.
KidDave, Khaled Abdulwahab
Trapped Inside is a hip-hop/rap song aimed at exposing the effects that the covid-19 lockdowns have had on the community – “from the east to the west, from the north to the south”.
Khaled Abdulwahab , TruSoule
The song, How we feel, came from a collective expressionist point of view from my peers and community’s experiences during last years harsh lockdown of the housing estates in Flemington and North Melbourne.
Khaled Abdulwahab , Nada Osman, CYNDYCUT
Barricaded In is a spoken word piece I wrote describing the treatment of the residents of the 9 towers lockdown.
Thirty1, Khaled Abdulwahab
When I heard that the Shelter 2 project is collaborating with local creatives. I decided to submit the beat I made during the lockdown.
Barry Berih
When I heard the news that North Melbourne and Flemington were in a lockdown my heart started to beat.
Sumaya
“I created this recording because during the hard lockdown we weren’t notified and only had one hour’s notice before our freedom was taken away. No time to prepare. We didn’t have enough food to eat at home and it made us feel like we were in prison. I want other people to know what it was like for us during this time and how it affected our mental health and our wellbeing.”
Khalid Farah
“My piece brings to light the barriers that minority groups face brought on by structural inequality."
Tina Tang
Connected is a series of illustrations that document moments of solidarity I have experienced and witnessed during the events of hard lockdown.
Haniyah Abdou Said
After experiencing the hard lock down, I challenged the thoughts and feelings of the others around me as well as myself into this artwork.
Sara Zakaria
“My name is Sara Zakaria. Home is in Sudan and now, Australia since 2004. When my son was born in 2006 I made Australia my permanent home. I look after my son, take him to school and soccer and keep busy with my friends. I work in Moonee Valley cooking my sweets and different kinds of foods. I became part of this project because I wanted to share my cooking, especially my sweets, which everyone likes. The lockdown was very bad for me, just sitting at home and I couldn’t go out. Talking with my friends and family on the phone helped me get through that time. I’m here to help people with food, sweets and cooking anytime!”
Huida Omer
“My name is Huida Omer. Home is in Sudan and for the past 20 years I’ve made Australia home. Australia is a good country for education and health and good for living. You can find good jobs as long as you have a qualification. The main thing that keeps me busy is my 3 children, I have 3 girls. In 2018 I was diagnosed with breast cancer and spent a year in intensive treatment. Since then I have to rest a lot but it’s important for me to stay connected with my friends and that’s why I’ve joined the Shelter 2 project. The hard lockdown, at first I felt sad and it felt unfair that we were the only ones being locked down like this in Melbourne. But later when I realized that there were some families here in the flats with COVID, I was glad that we were locked down like this. We all share the same facilities and live close together and I was worried because my own immune system and one of my daughter’s immune system is not 100%. We stayed home for 5 days and spent the time watching the news and finding out more about what’s happening and understanding the pandemic. There were people helping us and bringing food so it was okay in the end.”
Ruth Eyakem
“My name is Ruth Eyakem. I was born and raised in Ethiopia but I am from Eritrea. I came to live in Australia 28 years ago because of war in my home country, to look for a better life. I live in the Flemington high rise with my lovely daughter. We speak English and Arabic. I love cooking, my job is waitressing and I love hosting and serving people. I chose to be part of Shelter 2 because the hard lockdown was very stressful and I wanted to share how I passed through that time. When I first heard about the 5 day lockdown on the news I went quickly to buy medication that I need for stress and anxiety. I had none left at home but they would not let me out of the building and said they would bring us everything we needed. It never came and that was hard for me. But I had my traditional coffee ceremony and this became so important. During the lockdown I did it everyday with my daughter. It helped me pass the time, helped to calm my nerves. It gave me a good feeling of having my friends and family around me and kept me calm. My coffee ceremony was my medicine.”
Awatif Taha
“My name is Awatif Taha. Home is Sudan and for the past 20 years, Australia. I like Australia for its humanity, rights, education, health and job opportunities. I work and volunteer my time with my community across different fields, but especially with women and kids. I’m involved in running a homework club and working with the Multicultural Sudanese Centre where we have provided women with certified training in commercial cooking. A big project I’m involved in at the moment is Mum’s Kitchen which developed through co-design with Moonee Valley City Council. Mum’s Kitchen is for women from different African backgrounds to build skills and confidence for them to access employment opportunities in aged care, child care and hospitality and to create their own business which might also support employment of other women in the community. During the hard lockdown I was so busy working with different organisations and DHHS, door knocking to get information to people, ask them what they needed and link them to services to make sure their needs were met. I especially helped with new arrivals and old women who needed extra support. I also did some media interviews on radio about our situation and I wrote an article that was published in The Guardian. For the Shelter 2 project I have brought together 7 other women from different African backgrounds who live in the high-rises, to share our recipes and eat together and it’s been amazing. For us it’s not only about sharing our food but also about us having confidence and affirming our value in the community.”
Halima Ahmed
“My name is Halima Ahmed. Home is Eritrea and since 1999 I’ve been living in Australia. I like everything about Australia especially the education and it’s a beautiful country. I have my family here so it’s good for me. I’m a very busy woman, I have five grown up children and two grandchildren. I’m working now with Mum’s Kitchen cooking and also as a cleaner at the child care centre. I have lots of nice and friends and also look after my mother. For the Shelter 2 project, I’ve been able to share with other African women. It’s been especially a good opportunity for mum’s who work hard at home to tell our stories. Often we don’t get the chance to tell our stories, and no one asks us and often no one listens, but every mother has a story. The hard lockdown, it was very hard for us and maybe they did it too quickly and we didn’t have time to prepare. But it was important for our health and to protect us because we live very close to each other here in the flats, using the same lifts, using the same laundry as other families. We also have a lot of old people and vulnerable people in our community here so it was important that we protect each other.”
Emebet Asfaw
“My name is Emebet Asfaw, people call me Amy. Home is Ethiopia and I’ve been living in Australia for over 20 years now. Now Australia is my home. I like the freedom and peace here. I used to work in hospitality and I keep busy now by cooking and looking after my kids. Vegan cooking is my specialty and my recipes are popular. Every month I have a stall at the Vegan Market in Richmond selling my food. During the hard lockdown I was worried about COVID and spent my time researching a lot of different foods and the vitamins they contain and their benefits to protect my family’s health. The lockdown was a very damaging experience and really increased anxiety levels. I worry about what’s going to happen next.”
Leila Ali
“My name is Leila Ali. Somalia is home and I’ve been living in Australia for 25 years. Before coming to live in Melbourne I was in Papua New Guinea for one year. PNG was nice but there was too much fighting. I like the peace here in Australia and it’s fair. I keep busy with my work in Mum’s Kitchen in Moonee Valley cooking food for people in need and delivering the food to everyone. I have six children and still two are living at home. The hard lockdown made me feel very scared and I spent a lot of time looking out my window and talking to my friends on the phone. I felt jealous when I looked outside and saw all the police and other people walking around. I felt like why am I stuck here and everyone else is outside. During the lockdown I didn’t want the food that the government was bringing, my community looked after me and brought the halal foods. But I didn’t need food, I just needed air and to get outside again. I wanted to be part of Shelter 2 because I like spending time with my friends. I am the only Somali woman in this team and I wanted to share my special dishes from my culture.”
Samira Ali
“My name is Samira Ali. Home is in Sudan and now in Flemington since 2000. I speak Arabic and Tigray. Australia is a nice country and we have a good life. I wanted to be part of Shelter 2 because I like to share my culture and want people to learn about my culture and maybe try our food. I wasn’t scared of the hard lockdown. Actually it was good for me because I cleaned my house, I had time to cook the food I like to eat and had time to discuss some important family business with my children. I stayed connected with my friends during the lockdown through our Whatsapp group so it was okay.”
Ali Choudry, Dr. Matthew Latif
“Audio Pandemic” by Ali Choudhry and Dr. Matthew Latif is a novel, timely, and innovative project that uses the processes of “data sonification”, “data visualisation”, and “algorithmic composition” in a creative context to create audio-visual representations of the COVID-19 virus.
Candy Bowers
“Faded, but still there” is a series of seven digital works exploring the notion of home – it can be a physical place where one can live, but it can also refer to the community, online forums and memories that trigger nostalgia.
Christos Linou
Nudes Descending is an abstract dance duet, oil on canvas painting.
Jenny Zhe Chang
Yum Cha – Together! is based on both the installation Yum Cha – Sharing Monuments, which was created for the MAV’s Mapping Melbourne, Australia 2017, and the artwork Yum Cha with Milk Tea presented for the South Wind Rises, Asia-Pacific Contemporary Art Exhibition in Taipei, Taiwan 2018.
Samuel Gaskin
A spoken word piece by creative BOSS Samuel Gaskin that examines the power of Culture being marginalised and oppressed.
Mahla Karimian
Déjà vu. A feeling of having already experienced the present situation.
Reagan Romero Maiquez, Eh Su
This Dome is an art project that combines Karen music, poetry, and video recording that examines the life of migrants and refugees during a lockdown period. We have incorporated spoken word and music to produce slices of life experienced by a family, community, and friends during the lockdown and amidst the COVID-19 pandemic.
Naazi Kakavand
In this video, I present the process of making a Persian dessert, as well as injecting cream and colour, which I like to call drawing Miniature Jelly Art.
Anindita Banerjee
“An authentic home is a place that physically holds memories. When one moves several times, they have to negotiate the challenge of packing up memories to bring them along.
River Loizou
With this piece of work, The Soundtrack of 2020, I’ve tried to create an auditory story using cinematic music to reflect certain events throughout 2020. In each event, I’ve aimed to mimic different genres such as “Super heroes” “Horror” and “Action”.
Youbi Lee
Playing with these themes, in webtoon (digital comic) format, the story involves a mother in Melbourne and her experience of homeschooling during the COVID-19 lockdown.
Margot Tanjutco
LOVECORE is dead behind the eyes and trying to cheer itself up. This piece is a video collage of my own writing, found/archival footage, gifs, and music.
Beatrice Rubio-Gabriel
The writing traverses various orientations and sometimes bleeds into one other, blurring the events happening within my mind and outside of it.
Stefan Berhardt
Shining a Light is a series of photographic art that highlight both resilience as well as battles we are experiencing in this moment in time.
Thuy On
I have written a suite of poems to explore the concept of hopefulness and resilience.
DollFace (Benji Miu)
A love letter. To a middle-class childhood. Late ‘80’s. Pop! Pop from Asia, wow. Playing in the fragrant, Chinese Restaurant. The one that the family once had.
Scotty So
This work was inspired by my déjà vu between the current pandemic situation and my experience of SARs in 2003 in Hong Kong.
Ruhi Lee
This lyric essay was inspired by the idea of re-imagining home. It found it’s form as I asked myself over and over again, “What is home, really?” and “Why?”
Ria Soemardjo
I was drawn to record a song that leaves the listener into a space of calm and reflection, and a spark of hopefulness.
Valentina Serebrennikova
As an Artist with a bouquet of emotional traumas and crises: mid age dilemma, immigrants’ homesickness and loneliness; at the beginning of COVID-19 I started my diary, where I wrote down, by text and visual sketches, my current emotions, thoughts and fears.
Amicus Atman
Part of a series of ongoing work, Mantra, we explore the power of mantra and its transformative abilities.
Sandy Hsu
Who are you when you are alone? Who do you perform for?
Arun Munoz
Positive Adaptation During Times of COVID-19
Laura Cionci
My everyday life is outside my usual spaces. I got stuck in Australia and had to integrate into a family life. This is my new artistic production: flowing into the interstices of an already existing intense relationship.
Serah Nathan
Uncertain Times is a comedy about Hayley and Serah, two housemates from the suburbs, desperately trying to navigate their lives during coronavirus and the subsequent lockdown restrictions.
Rachel Ang
Recently I’ve been thinking about the home as a really charged space where public and private have now completely collapsed. Doors are now barricades, screens are windows, spaces that were voids are now filled and curtains no longer promise privacy.
Irihipeti Waretini, Bella Waru
If we could hug… it would feel like coming home.
Birkti Mesfin
My written piece is a story penned to my younger self.
Astrid Mendez
Drawing inspiration from John Donne’s poem, “No man is an island,” this creative exploration portrays the incoherence of the individualist ideology which COVID-19 outbreak has unveiled. Since “we are involved in mankind” all human needs have the same weight. A clod is to a continent like a person’s death is to a loss.
Cindy Jiang, James Emmanuel Mckinnon, Francis Cao
‘I touch myself’ is a love note to our bodies in isolation. As we find ourselves deprived of con-nection through touch, we grapple with the grief of physical loneliness.
Supansa Thongsuk (Nicky)
I find the realism of life translates through the human body. I hope to show the importance of my cultural diaspora, through my humanist imagery.
Nakarin Jaikla
Drop • 雫 • หยาดหยด” is a collaborative project between Nakarin Jaikla and Tithipol Kanteewong and Cyouka Ogata – Thai and Japanese Musicians based in Japan. I use my body to portray the story of water and expresses myself through “Yoake”.
Marla Celeste
I’ve always had a difficult relationship with Australia and with my family. These tenuous connections are central to my reasons for having spent most of my adult life living overseas. Most recently, I spent just over four years living in South America before abruptly evacuating from my home in Lima, Peru to Australia in the midst of the pandemic.
Daniel Seifu
I have created an audio instrumental music piece called, The Spirit of Time.
Giovanna Da Silva
The concepts I have explored for this project are ‘finding new meaning and ways of being’ and ‘transformation’.
Gelareh Pour
I am not alone, nor anybody else. With creativity and making connections, my love and passion for music has always pushed me through boundaries.
Jonathan Homsey
Love Letter for Turkish Delights is a 15-minute audiobook dedicated to the buoyant texture of this sweet delicacy. Inspired by research across two continents, this project uses the atmosphere of Richard Mercer’s Love Song Dedications, somatic and street dance along with mindfulness to invite people to find the air within their body and space within the thinking mind. To find this air I use the metaphor and the experience of eating a Turkish Delight.
Ellen Yeong Gyeong Son
“Faded, but still there” is a series of seven digital works exploring the notion of home – it can be a physical place where one can live, but it can also refer to the community, online forums and memories that trigger nostalgia.
Luc Yong
I am exploring and responding to the idea of ‘Transformation‘. I have chosen this idea based on various meanings of the word; a marked change in form, nature or appearance / a metamorphosis during the life cycle of an animal.
Mimo Mukii
“Home(s)” is a response to the idea of reimagining home, and it explores the notion of feeling a sense of home in multiple places and with multiple people.
Madi Colville Walker
The main inspiration for this song is personal growth and taking the time to listen to myself during quarantine.
Mimi Leung
Submerged presents two unique responses to the experience of being ‘othered’ as women of colour, and the importance of defining your own value. For Mimi Leung, this is about grappling with an internal struggle with her body, and her attempts to break free of expectations from self and society.
Tāne Te Manu McRoberts
Te Pae o Maumahara, directly translated ‘The Site of Memories’, is a traditionally woven work, made from a mix of contemporary and natural materials.
Jonathan Homsey
Racism and oppression in the LGBT+ community is rampant and I hope this video motivates other Queer People of Colour (QPOC) to brush the people off who implicitly and explicitly project oppression and sexual racism.
LIMINAL
TIME, a collection of Art and Writing by LIMINAL Magazine
Joelistics (Joel Ma)
Joelistics Presents Film School: Still the Quivering Air is a lot of things, it started off as an album and evolved into a series of collaborative filmed dance pieces that work as a unified whole drawing imagery from Asian ghost stories recontextualised in suburban Melbourne.
Jun Kiyoshi
5 Days is a mix of 4 days’ worth of results, mixed with image processing to create the day’s product.
Adolfo Aranjuez
Borealis is at once reflection and provocation, taking the form of both a retrospective of the year-that-was and a transmission from the future.
Ammar Yonis
Qôca, a series demonstrating the joy that could exist if afro-textured hair wasn’t seen as a foreign element in corporate settings.
Ai Yamamoto
This shadow image is shot in our kitchen. Shadows appear on this wall in April, May and June and these images are a reminder of autumn days. The autumn golden light brings some hope (kibou) and melancholy, always.
Ree Peric
Submerged presents two unique responses to the experience of being ‘othered’ as women of colour, and the importance of defining your own value. Ree’s works look to external representations of the physical body to reconsider white beauty standards, by centering Afrocentric beauty and solidarity.
Aarti Jadu, Xan Coppinger, Vinod Prasanna
40 Days’ is a witnessing of artist development, and a study of sound and being.
Nina Rose
UpClose is a new online music video showcase presenting intimate performances and interviews with culturally diverse Victorian singer-songwriters.
Stefania Serna
UpClose is a new online music video showcase presenting intimate performances and interviews with culturally diverse Victorian singer-songwriters.
Yusupha Ngum
UpClose is a new online music video showcase presenting intimate performances and interviews with culturally diverse Victorian singer-songwriters.
NOMAD
UpClose is a new online music video showcase presenting intimate performances and interviews with culturally diverse Victorian singer-songwriters.
Big Bao, Ali Adriano, Tavis Pinnington, Michelle Nguyen, Grace Quiason, 黑芝麻 (Hei Zhi Ma), Sydney Farey
Medium Spicy 2 is presented by Asian-Australian artist collective Big Bao. A second iteration of Medium Spicy 2019, this virtual project pairs 3 sound artists with 3 visual artists to create a series of works bringing together the richness of the Asian-Australian creative experience.
Victoria Chiu , RDYSTDY
CENTRE FOR NEW GEOGRAPHY is a new digital place designed and built by artists.
Creature Creature
Our piece is titled ‘Forever Dance‘. It is about moving, persisting, dancing forward in harmony, bound to something you believe in, something noble, strong and beautiful.
Jennifer Cheung
This piece is expressing how urban design for high-density environments affect the meaning of urban space through the current trends and challenges in urban development.
Emily Wong
The work expresses different forms (or another side) of ‘love’ through colours and lines.
Golem Klon VIII, Jinglu Liu
The work takes place in a virtual space where the moving character represents us, the audiences who are able to travel freely without boarder.
Youbi Lee, Yee Wen Soo
Omoon in the teapot is a short puppetry theatre video, playing with the concept of alter ego. Set in the olden days, a young peasant found a magic teapot which took him to his ideal world.
Ria Soemardjo, (Jon)Pongjit Saphakhun, Ron Reeves , Max Milne
In ‘Sanctuary’ we are creating a contemporary performance ritual centered around an old tree next to the Merri Creek, sharing our unique creative process in a short video.
Mindy Meng Wang, Kun Li
Mother is the most private work from the COVID inspired project Enduring Union, in which I use music, film and images to tell stories from Wuhan, my hometown Lanzhou, and where I live now, Melbourne.
Soyoun Kim
The current Covid-19 pandemic appears to offer the chance to reflect on how we live together and it reminds of the deeply rooted racial discrimination.
Henry Roll
Syrian-Australian artist Miream Salameh fled her beloved homeland in 2012. Already an accomplished artist on her arrival in Australia, Salameh is compelled to process her experiences of conflict and displacement through her multidisciplinary art practice, driven by an obligation to acknowledge the lives of her spiritual, intellectual and political heroes as part of her own survival and adaptation to a new country. The Colour of Absence explores how the intricate connections between memory, place, people, objects and identity are inflected by her experiences. Salameh engages performance, video and photography to address her deeply personal experience of fleeing Syria as a dissident, together with the ongoing situation of her fellow Syrians who still live under threat or are detained as political prisoners, sometimes for years in darkness and solitary confinement. These meditative pieces reflect on what it means to be absent from the place you belong to and the specific qualities of loss and distance that accompany exile. For Salameh, her monotone video works express the way memories lose vivid detail and colour through distance or confinement. In stark contrast, the bright colours of her collage images of the personal belongings she carried when she fled Syria, convey optimism, nostalgia and the sense of home Salameh carries with her. This is Salameh’s first solo exhibition in Australia, a significant milestone as she develops a powerful visual language to express her presence in a new place. Read catalogue essay written by Anna Sande.