what ties us apart
slo collective
2022
Exhibition
what ties us apart was the debut exhibition from film collective slo, presented at Blindside Gallery in October 2022. The show was a collection of work that responded to memories over distance. How malleable they become as we stretch their significance. How something steadfast can disintegrate after a moment, but in the same breath, changed context can allow for growth. Each work delves into nuanced movements of grief and connection.
A considered collaborative work, what ties us apart is made up of artists responding to the prompt in their respective mediums with each work standing on their own, but experienced best together:
The fish that ties its body in knots, a short film.
Directed by Ranima Montes. Produced by Mimo Mukii and Ivy Mutuku. Director of Photography, Gabriel Francis.
Synopsis: Dreams blend with myth and memories, when Poling and Ligaya remember their estranged older sister.
In the Philippines, the anting anting or “lucky amulet” can be the tangible reason for the unknown. Usually gifted, they protect you from danger, but they can also be found, chanced upon or gained. Grief is intangible as is memory. I wanted to make a film out of memories, that delves into how broken familial ties can leave a lasting invisible impression. From this grief, we make new memories in our dreams. We make new worlds in films to make these memories feel real. A cyclical practice to untie the knots we each carry. - Ranima Montes, filmaker.
What’s in a name? a short film
Directed by Kalu Oji. Produced by Mimo Mukii and Ivy Mutuku. Director of Photography, Gabriel Francis.
Synopsis: Whilst being interviewed for a larger documentary, a young couple rediscover fractures from a forgotten history.
‘What’s in a Name?’ is an experiment in genre, performance and process. Working closely with actors Faro Musodza and Makwaya Masudi, we built the scenes and characters over a series of weekend workshops. I knew from the outset that I wanted to play with form – to reimagine the ‘mockumentary’ genre and to capture a sharp shift in tone within a single conversation. Somewhere between reality TV and melodrama, the improvisational nature of this approach produces a film that is reactive, encouraging the audience to engage with the characters as if they were another body in the room. - Kalu Oji, director.
radiance every day, a poem
by Panda Wong
A contrapuntal poem exploring grief & memory, which can be read three ways: the right and left columns as individual poems, or both columns together as a whole poem.
∞ chairs, installation
by Helena Inez Abapo
A gathering of eight collected chairs, tied together with satin ribbon. Guests were invited to sit and move the chairs to view artworks as they please.
Related Programs:
what ties us apart was a recipient of MAV’s Diasporas commissioning program, as supported by the City of Melbourne, Creative Victoria and Creative Australia.
